20101031


Blog Prompt #20

  1. Describe some common aesthetic aspects of “news”-related photographs.
News related photographs often focus upon the faces and persons in the event. They capture a period of time, rather than creating one. They are often dramatic and draw reactions from the viewers.

  1. Describe some common aesthetic aspects of “snapshots”.
Snap shots are very candid looking. Slightly blurred, weird focus and time catching.

  1. Describe some common aesthetic aspects of advertisement photographs. Fashion photography? Product photography?
Fashion photography is all about the dramatic. High contrast and placed lighting help to make the pictures. Product photography often places the focus right on the product and has a medium contrast. Everything is clear and recognizable.

  1. Describe some common aesthetic aspects of film or movie stills.
Movie stills are crisp and full of action and movement. 

  1. Describe some common aesthetic aspects of yearbook photos and/or senior pictures.
Yearbook/senior photos are very face centralized. They are clear and put focus upon the subject. 

20101024

Blog Entry 19

Can you think of anything that:

1) should not be photographed? Why?
2) cannot be photographed? Why?

and

3) you do not want to photograph? Why?



1. There are a few things that a majority of the human population could most likely agree shouldn't be photographed. To list a few, child pornography, real life death (unless given complete consent or in the case of police work), and human and animal abuse. These things listed are not only illegal, but in most cases, morally wrong. I also believe that anything violating a human's rights should not be photographed. 


2. It's easy to say what can't be photographed. You can convey feelings and ideas in your photographs, but no one can truly capture the true emotions that a person feels inside.


3. There are a few things that are obvious I would not like to photograph, if you consider my opinions in the first question. I also would not like to photograph any kind of extreme pain or suffering because I feel I would rather be working to console rather than to capture. 

20101020

Recreation of the "Biting Pear of Salamanca"

In this image, I chose to create a recreation of a popular art piece on the internet. The art piece features a pear with large creepy teeth being photographed photographed by a small animal. I chose to do a technology parody of this by using a Ipod touch for the biting pear, with a big smiling image on it's screen, and using the memory stick for the animal. The memory stick can "capture" the files upon the itouch. My peers thought it would be nice if the background contained a little more information.
Zoom
In this photo, the viewer is gazing up at the corner of a building, and the angle abstracts what they see. My peers liked the composition, but felt that I could darken the bottom and create more of an dark to light effect going dark on the lower part to a light on the higher part. 
Landart indoors

In this image, I create a landart piece indoors. Whenever I walk down the staircase to the door, I always see piles of leaves that have been blown inside. I decided to use this to my advantage and arrange a few of the leaf pieces into a heart and leave other pieces on the ground to create a blowing effect, which helps to lead the viewers eye across the page.

20101018

For this final image, I photographed branches in front of a cloudless sky to create a very high contrast picture. I left the thick parts of the branches up top, in order to lead the viewers eye down the branches and to the bottom left of the image. My peers liked the way that the gradient in the background went from dark on the left to lighter on the right.

20101017

Gabriele Basilico

Gabriele Basilico is a Italian photographer and was born in 1944. He studied architecture in Milan. He photographs mainly cities and industrial landscapes.
In a majority of his photos, Basilico positions himself high above his landscapes. His photos are crisp, with a high contrast that holds onto your focus.
In Napoli Vesuvio, the above photo, there is a heavy contrast between the sharp crowded city, and the fuzzy mountain and sky. What I assume is a long, white building, captures my attention and move my focus from the bottom of the photo to the top of the photo.

Blog Entry 16, 17, 18


“Landscape photography is the supreme test of the photographer—and often the supreme disappointment.” ~Ansel Adams

Landscapes are often some of the hardest for me to photograph. When I was in Austria, there were so many beautiful surroundings, but my camera did not do them justice. It is hard to capture the true experience of landscapes with a camera lens. Another factor is that the photographer gets to experience the view in person. Though the resulting picture might appear breathtaking to others, it does not always remain breath taking to the photographer. The picture could pale in comparison to the real view. 

“Photography, as we all know, is not real at all. It is an illusion of reality with which we create our own private world.” Arnold Newman


Pictures taken are always composed. The subjects within them might be acting natural, and even unaware of the camera, but the photographer places them within the frame and decides the moment to snap a picture. The photographer is also able to control the focus of the photo. 

“Photography can only represent the present. Once photographed, the subject becomes part of the past.” Berenice Abbott

Even if the subject within the picture is supposed to be set in the future, it was still a place, person, props that sat in a moment of time. 

20101013

Memory- Passage of time

The memory behind this piece was my first date with Michael. The bowling alley was always a place me and my friends would go to when we were tired of going to movies and wanted something else to do. Me and Michael chose the bowling alley because we felt a first date should be doing something where you're interacting with each other. I chose to have the subject blurry while having the bowling lanes crisp in order to show motion. The next thing that shows the passage of time was the two remaining bowling pins. Rather than show the image where they are all standing, it shows 8 of them knocked down.

20101010

Posts 11-15


#11____Memory of a Place: Try to imagine a place from your past. Do you have pictures of this place? Describe this place as you remember it. What might a photograph look like of this place if you were to go back and photograph it? What would it look like in the past? What would it look like to you today? Where are you standing in this place? What other items are in this place? What colors do you see? Are there other people or are you alone? Make a “written photograph” of this place using words/description.
My childhood back yard: Im standing in the middle enjoying everything. The smell of freshly cut grass, a swing set in the back near the woods. Bees and other insects flying about, especially near all the wild flowers.  If I were to go back to my childhood back yard, it would be overgrown and neglected. The swing set is long gone, but the insects still remain. The greens are still as vibrant, and the wildflowers have grown in number. It looks much more natural now. No more standards, just free to be how it pleases. 

#12____Memory of a Photograph: Which photograph from your past do you remember most? Describe this photograph. Describe how it makes you feel when you remember/think about this photograph. How have you changed? How has the place in this photograph changed? What would a reenactment of this photograph look like? Would you act or look differently if you reenacted this scene today?
Emma's christmas party in middle school. It was all just a group of close girl friends. We were joking around, as all teenagers do, and had stolen one of her bras. I was looking off to the side at Emma, grinning and giggling, as I held her small white bra to the camera as she play threatened to tackle all of us down. I was small and petite. If I were to reenact this photo now, the tables would have probably turned as we ganged up on another one of our close friends: Jamie. She was always quite well endowed and me and Emma were frequently reminded on how small our chests were. This time, this silly act would have been performed at Jamie's house, with Emma being the main suspect in the crime. Good friends doing stupid things. 

#13____Human-Made Space: In the past, photographers who were interested in how humans impacted the natural landscape grouped together to form the New Topographics. “"New Topographics" signaled the emergence of a new photographic approach to landscape: romanticization gave way to cooler appraisal, focused on the everyday built environment and more attuned to conceptual concerns of the broader art field.”http://www.lacma.org/art/ExhibTopo.aspx
In addition, at the same time in history artists created (and still do create) “land art” in which they use materials found in the landscape to make sculptures that remain in the landscape. Many of these works now only exist as video recordings and photographic documents.
Pay attention to the number of ways in which you encounter humans’ interaction with nature and the physical land. Write these down. Using these as inspiration, describe an idea for a piece of “land art” that you might create that would be documented by a photograph. Describe an idea for a piece of “land art” that you might make in a man-made landscape that would be documented by a photograph.
Remember when you were a child, playing in the woods, making forts and playhouses? I would create more forts and playhouses within woods and capture these images to relive my childhood and encourage others to remember theirs. I would also create forts and playhouses, made out of sticks, in the middle of a busy, well traveled place, such as on campus. Imagine a wooden fort in the middle of the engineering building.

#14____Unknown vs. Familiar Space: When photography was invented, it became a way to document and reveal the specific aspects of both familiar and faraway places. Imagine a familiar place. Imagine a faraway place. How would you use photographs to convey the difference? Can you imagine any places that have been “touched” very little by humans? How might you photograph them?
Using photographs, I would capture the free and natural faraway place, barely touched by humans. This place has been free to grow without the interference of humans. I would also capture the disturbed familiar place, showing the ways that humans have affected the area. I could photograph the faraway place with a fast shutter speed, making it crisp and touchable, while I would photograph the familiar place with a short shutter speed, blurring it and making it seem faraway.
#15____In-Camera Collage: Collage brings together two or more items that were previously separate. The resulting piece usually visually references the fact that they were once separate entities. Imagine an important place in your past. Imagine an important place in your present. Imagine who you were in both of these past and present places. Describe how you might use a slow shutter speed and/or double exposure to capture two moments in one image that tell a new narrative about these important places and how they relate to who you are and were.

An important place in my past would have to be my childhood bedroom. That is where I grew up, dreaming of being older and playing make believe with these thoughts. I had no care in the world and did not have to fear growing up. I was allowed to be a child. An important place in my present is my current bedroom. It is a small dorm room that I share with another girl. My homework is sprawled all over my bed and my laptop is seated on top of it. The laptop is open to various homework pages and Facebook. My thoughts no longer are dreaming of adulthood, but of the deadlines I have for my life. Putting these two places together, I would use a slow shutter speed to capture my childhood. Light, bright and airy. I would use a fast shutter speed to capture my current place. Dark, busy and hectic. In order to connect these two images, I would have the stuffed cat I had as a child and still have today laying on my bed. 

Critique write-up

In the first final image I chose, Half of the face lit by a flashlight,  the interpretation I got from the viewers was interesting. They claimed his smile looked approachable, but there was something off about it. They described it as "ominous and serene". The viewer's felt the placement was working for the photo and that the way his face was harshly lit did well for it. How they felt I could use the image for a jumping-off point for a larger project was interesting: We discussed having hands come from behind him, almost reaching for him in a frightening manner.  They viewer's felt that this image was portfolio worthy.

In the second final image I chose, Monarch butterfly, others felt like it was an image they would find when opening a "National Geographic". They described the image as "very exotic" looking. They felt that everything was working in the piece, except they would of liked to see the "tail" in the bottom left covered. To use this image as a jumping off point, I could paint more animals and insects upon peoples faces in the same manner. In order to make it portfolio worthy, they felt if I covered up the "tail" the image would be fine.

In the third final image, Pills, others interpreted this image as "happy, wanting/pondering over the pills". They felt the image was fine, but would have liked it if I blurred the background a bit. Using this image for a series of photos, the viewers thought that more pictures of the effects of the pills could be taken and placed together in a timeline. They felt that blurring the background would make the picture portfolio worthy.

In the fourth final image, Cote sitting in a tree, others described my image as "calming, painting-like, and relaxing". They felt the image was working well, but they would crop off the left part of the image, the image extending past the tree. There was not really any recommendations for using this image as a jumping off point. Suggestions to make this image portfolio worthy were the same as what they felt I could fix within the image.

20101004






In the first image, I used the harsh lighting from a flashlight in complete darkness to illuminate half of the subjects face. I didn't ask the subject to make any certain faces, so I left it up to him to decide. I wanted his head slightly off center in order to create a bit of a difference to keep your eye focused there.
In the second image, using props, I created a blurry focus point that would than push your eye to the subject's eyes. I did not really brainstorm for this image and I was just about to take my medication for the day and the idea popped up in my head. I wanted the bottles on the edge to balance out the bottom half of the image.
In the third image, I was taking candid photos and I liked this one. I used natural lighting from the windows. My subject, my roommate, was waking up from taking a nap, so I just talked to her as I snapped pictures. I cropped the image in order to create a focus on her blurry fingers with the ring. The motion of her hand then brings you to view her expression.

7, 8, & 9

“My portraits are more about me than they are about the people I photograph.” ~Richard Avedon.

When taking a picture, you are choosing the lighting, the composition and the subjects. Every detail is up to the photographer to manage. Everyone has a unique style of photographing. This also ties into the quote "You don't take a photograph, you make it." by Ansel Adams. The subject is placed into the frame and the photographer alters the scene to his/her thoughts.

“All photographs are there to remind us of what we forget. In this - as in other ways - they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.” ~John Berger


Photographs are a piece in time, while paintings are bits and pieces of memory or imagination. One can look at a picture, of let us say...a girl blowing out candles. This can trigger our own memories of birthdays and celebrations. When you view a painting, you cannot always relate to what is painted because it does not always exist in reality.